Expression Watercolour – the natural-white 100-percent cotton, surfaced sized paper, is suitable for all wet-painting techniques and etching. Expression Watercolour features surface sizing. Colours stand out excellently on the paper and impress with their natural brilliance, thus giving every subject its very own, unique presence. Masking fluids or masking tape can be used and removed residue-free. While wet colours can be easily corrected or taken off.

Expression Watercolour is acid free, light-resistant and features extreme longevity. The surface is eraser resistant due to the surface sizing.

BRISTOL is ideal for drafts, studies, illustrations and drawings or prints. The sturdy, ultra-smooth surface allows for working with dry and fluid drawing media. Pencils and coloured pencils, Indian-ink pens, fountain pens, fine liners and acrylic markers all glide over the smooth surface and make for an opaque colour layer. Also suitable for use with airbrushes.
The paper features a high opacity and a weight of 250gsm. On the non-absorbing surface, lines and colours stand out vividly. The bright white colour of the paper allows for the easy scanning and isolating of subjects without elaborate post processing. BRISTOL is eraser proof and can be cut easily. Additionally as a high-quality drawing paper it is perfectly suited for presentations.

Harmony Watercolour – A natural-white paper for all wet-painting techniques. Harmony Watercolour features surface sizing. Colours stand out excellently on the paper and impress with their natural brilliance, thus giving every subject its very own, unique presence. Masking fluids or masking tape can be used and removed residue-free. While wet colours can be easily corrected or taken off.

Harmony Watercolour is acid free, light-resistant and features extreme longevity. It is available in Cold Pressed, Rough and Hot Pressed. And all are eraser resistant due to the surface sizing.

Harmony Watercolour – A natural-white paper for all wet-painting techniques. Harmony Watercolour features surface sizing. Colours stand out excellently on the paper and impress with their natural brilliance, thus giving every subject its very own, unique presence. Masking fluids or masking tape can be used and removed residue-free. While wet colours can be easily corrected or taken off.

Harmony Watercolour is acid free, light-resistant and features extreme longevity. It is available in Cold Pressed, Rough and Hot Pressed. And all are eraser resistant due to the surface sizing.

‘Nostalgie’, the coveted classic, now also available as book. Thread stitching makes for a solid binding and good flatness of the sheets. This also makes sure that double sided sketches and drawings across the fold too can be created without any problems. With an anthracite-coloured cover featuring a linen structure, the book is hard-wearing and nice to the touch.
Every book features 40 sheets / 80 pages. The heavy, natural white paper feels both solid and flexible. The fine grain of the paper makes the pen slide over the surface virtually on its own.
Clearly defined pen control and delicate hatchings allow for every kind of work – from the architectural sketch to the fast, vividly coloured draw.
Suitable for use with all dry-painting techniques in addition to wet colours, the paper brings a great sense of versatility and precision to the artistic process. Acid free, high longevity.

PE-coated paper for mixing oil and acrylic paints.

Sketch/Pastel 130 gsm is the first product in the Hahnemühle Sketch/Pastel range made from 100% rag. The natural white paper has a fine grain and an even surface texture which ensures optimum colour adherence for clear and colour intensive strokes. This paper quality is perfectly suitable for pencil, charcoal, red ochre and pastel paintings. Sketch/Pastel 130 gsm is acid free and age resistant. It is glued along the top edge and available in sizes DIN A5 to DIN A2.

Sketch/Pastel 130 gsm is the first product in the Hahnemühle Sketch/Pastel range made from 100% rag. The natural white paper has a fine grain and an even surface texture which ensures optimum colour adherence for clear and colour intensive strokes. This paper quality is perfectly suitable for pencil, charcoal, red ochre and pastel paintings. Sketch/Pastel 130 gsm is acid free and age resistant. It is glued along the top edge and available in sizes DIN A5 to DIN A2.

The pad covers with their clear design are akin to the paper within. An unobtrusive, exclusive sketch paper is easy to work with at any opportunity. The bright white makes for beautiful gradation of the colours and the consistent structure allows for both drawing quickly and working accurately. Suited for all dry-painting techniques and pencils of all degrees of hardness.
With a weight of 120 gsm, the paper is pleasantly flexible. The 190gsm version, remains flexible but gives that extra strength required for continued workability.
The pads are available glued on top or spiral bound with micro perforation. In both cases, once removed from the pad, the sheets conform to the exact specified format size.
Acid free and with high longevity.

The heavy, natural white paper pad, glued on top feels both solid and flexible. The fine grain of the paper makes the pen slide over the surface virtually on its own. Clearly defined pen control and delicate hatchings allow for every kind of work – from the architectural sketch to the fast, vividly coloured sketch. Suitable for use with all dry-painting techniques in addition to wet colours, the paper brings a great sense of versatility and precision to the artistic process. Acid free, high longevity.

This sketch book is ideal for drawing with pencil, charcol or red ochre. The matural white colour allows good contrast and colour vibrency of the sketches. Acid free and age resitant.

Our strong and robust D&S sketchbook has a solid thread stitching making the turning of the pages smooth and easy. The paper has a fine non-slip surface which superb abrasion properties that enables you to effortlessly create broad wide lines and the natural wide shade gives a pleasing and charming tone to enhance the subtle shades of colour in your pencil drawing. Besides pencil work the book is ideal for use with watercolour pencils as well. Finding your page in the D&S sketchbook is easy thanks to the handy red ribbon place mark (please note that this is not found on the D&S mini sketchbook).

Our strong and robust D&S sketchbook has a solid thread stitching making the turning of the pages smooth and easy. The paper has a fine non-slip surface which superb abrasion properties that enables you to effortlessly create broad wide lines and the natural wide shade gives a pleasing and charming tone to enhance the subtle shades of colour in your pencil drawing. Besides pencil work the book is ideal for use with watercolour pencils as well. Finding your page in the D&S sketchbook is easy thanks to the handy red ribbon place mark (please note that this is not found on the D&S mini sketchbook).

Being rugged and flexible at the same time, this acid free kraft paper sketch booklet doesn't need much space. It resembles an exercise book but being more durable and professional, it is the ideal companion for purists.

The black sketch booklet with its subtly grained cover is the day-to-day companion for those who appreciate simple elegance. Being both flexible and slender it fits into every pocket. The slightly rough ecru paper is suited for drawings with pencil, charcoal and red chalk as well as coloured and pastel pencils. It comes with 40 pages and is available in A4 and A5 formats.

The Hahnemühle Sugar Cane watercolour paper is the latest addition to the Hahnemühle Natural Line.
The 290 gsm paper is made from 70% fast-growing sugar cane fibres, so-called bagasse, a by-product
of sugar extraction. With 70% sugar cane and 30% cotton, the natural white, warm-toned watercolour
paper combines the strength of sugar cane fibres and the softness of cotton. These fibres are also plantbased residues from the textile industry.
The paper with its cold pressed surface structure has a wonderful velvety feel. It can be excellently
worked with watercolour, gouache and all wet-on-wet techniques. Colours shine brilliantly and velvety.
The natural fibres of the sugar cane give the paper a high stability and tear resistance, so that the paper
can absorb large amounts of water and colours without the fibres standing up or the paper curling badly. Colours can be easily dissolved on the surface and glazed again. The paper masters colour gradients and effects, such as salt or water drops, but also thin lines and accents with fineliners.

Hahnemühle The Collection Watercolour 300 and 640 set new standards for high-quality watercolour papers. A carefully chosen variety of cotton offers extremely strong fibres and incomparable purity. The selection of the best raw materials and exclusively natural filler materials gives the Watercolour 300 and Watercolour 640 papers their unparalleled quality. The prized cotton papers, Watercolour 300 and 640, are characterised by a very durable paper surface that is well suited for demanding watercolour techniques. The fibres do not lift, rub off or loosen, even when applying multiple layers of colour, or when using masking fluids and tapes. This paper lets you use the most beautiful colours and create remarkable wet-on-wet paintings. Available in COLD PRESSED / ROUGH / HOT PRESSED

This material sized paper quality is suitable for different painting techniques such as watercolour, acrylic and gouache. The paper is natural white and has a fine grain surface texture for extraordinary painting effects. Glued on 4 sides, acid-free, light-resistant and of highest resistance to ageing.

This watercolour book is the ideal companion for artists who love to capture their holiday memories without delay. The natural white 200gsm paper features a fine grained surface structure on both sides. Making it ideal for creating full width panoramic paintings.
With 60 pages / 30 sheets, the watercolour book is compact while offering an ample amount of pages to paint your memories on. With a durable cover and a rubber band to hold the cover together your art work is protected. Available in the landscape formats A6, A5 and A4, also it is acid free and features a high longevity.

This high quality oil/acrylic paint board is natural white and is made of 100% cellulose.

The board is internally sized and has a special barrier layer to prevent bleeding and a halo effect. This quality is perfect for beginners, advanced painters and professional artists. The board possesses the natural linen structure of a genuine canvas guaranteeing the excellent results to be expected from oil and acrylic painting. Acid free and age resistant.